THE CAMBRIDGE SATCHEL COMPANY
St Leonards, photographic studio and location
Cambridge Satchels are another brand company that choses to work down here on the south coast. Great locations and facilities.
The Cambridge Satchel Company, the original (and best) satchel brand.
There very first satchel was inspired by traditional British, leather schoolbags from years gone by. They still make satchels but their collection now includes large and small bags and accessories in lots of sizes and styles with many inspired by bags from the past. They have something for everyone.
Visit their site at https://www.cambridgesatchel.com
NEWS
The studio became the setting for Margate Barred — a bold, thirty-minute short film written by Dean…
Stills shoot for Davina McCall Fitness in Tunbridge Wells by our two photographers Tim Nathan and…
The iconic Scarlet Fantastic return to the fold with a brand new track "To Hell" - some elegant…
It was very important to Toby Forbes Gower to get a good record of his work, which led to this…
Mark Thomas Furniture working in the studio with new oak table in the Hastings photo studio
It was a delight to photograph the stunning jewelry collection of The Sona Girl, a brand that…
NEWS
THE WRONG CAR
The Wrong Car is a road movie about two people at polar opposite places in their lives. ELLA, is carefree and in love with life. While TERRY is at breaking point and in need of help
CLARE CLARKSON PRODUCTION DESIGN Commercials. Films. Promos. Documentaries.
Working with Clare to keep her high profile media presence up to date.
Web development for award winning DOP Dirk Nel
Working with Alex Russell Flint in the studio producing photographic documentation.
He is a British artist specialising in representational narrative works in oil and charcoal.
Sandy Powell visits the Lucy Bell Gallery for the exhibition of nseen Photographs and film of Derek Jarman and Prospect Cottage by Derek Brown, Richard Heslop, Mark French, Steve Pyke MBE, Ed Sykes, Andrew Catlin, Liam Daniel, Jan Baldwin, Debi Angel and soundscape by Simon Fisher-Turner