FURNITURE PHOTOGRAPHY

Mark Thomas Furniture working in the studio with new oak table in the Hastings photo studio.


           

NEWS

TASS EXHIBITION REPRODUCTION
The visual impact and immense communicative value of TASS posters have been evident since they were…
MARGATE BARRED
The studio became the setting for Margate Barred — a bold, thirty-minute short film written by Dean…
Cells4Life: Pioneering the Future of Stem Cell Storage
In the rapidly advancing field of biotechnology, stem cell storage is emerging as a cornerstone of…
New Video Production for Kevin Armstrong
New Video for Kevin Armstrong for the featured track "Leucocytes Of Love” from his new album
ALEX RUSSELL FLINT
Working with Alex Russell Flint in the studio producing photographic documentation. He is a British…
CLARE CLARKSON DEVELOPMENT
Clare Clarkson's website, showcasing her incredible work as a production designer, set designer, and…

NEWS

BOSS DOOR CONTROLS
High quality technical product photography for Boss Door Controls
LUCY BELL GALLERY EXHIBITION
"It is as if the drama and anticipation of changing skies and moody seas echo the complication and confusion of our troubled minds. These scenes witnessed through a lens and cast within a frame speak of personal human pain, experiences and circumstances, temper our suffering. The sea and sky bring us a calm wonder and visceral moments in time. Nature's visual gift to us is that of peace and joy." EDDIE KNIGHT
OLIVER CHERER'S "MOST DAYS" VIDEO PROMO BY MARK FRENCH
From Oliver Cherer's album "Most Days" Video Promo by Mark French.
CHATEAU D'AIX
Music at Chateau d’Aix is the latest incarnation of the renowned piano summer school founded in 1991 by pianist Paul Roberts and arts journalist Jenny Gilbert.
DEREK JARMAN LUCY BELL GALLERY
Sandy Powell visits the Lucy Bell Gallery for the exhibition of nseen Photographs and film of Derek Jarman and Prospect Cottage by Derek Brown, Richard Heslop, Mark French, Steve Pyke MBE, Ed Sykes, Andrew Catlin, Liam Daniel, Jan Baldwin, Debi Angel and soundscape by Simon Fisher-Turner