SCARLET FANTASTIC TO HELL

The iconic Scarlet Fantastic return to the fold with a brand new track "To Hell" - some elegant electronic disco noir, produced by Hifi Sean, and featuring artwork by Ladypat. Filmed by Mark French at the St Leonards studio.


           

NEWS

STILLS SHOOT FOR DAVINA McCALL
Stills shoot for Davina McCall Fitness in Tunbridge Wells by our two photographers Tim Nathan and…
GOOD GOVERNANCE INSTITUTE
HTV are proud to be working with the good governance Institute. Its predictions and observations of…
HEAR NOW-TREVOR WATTS
A conversation with legendary free jazz saxophonist Trevor Watts. Directed and filmed by Mark French
JONATHAN PARKIN ARTIST
REPRODUCTION FOR TEN FAGS AND A BOX OF MATCHES Paintings by Jonathan Parkin
KID KAPICHI
Great to have Kid Kapichi shooting their video Glitterati at the studio
CLARE CLARKSON  PRODUCTION DESIGN​
CLARE CLARKSON PRODUCTION DESIGN​ Commercials. Films. Promos. Documentaries. Working with Clare to…

NEWS

FURNITURE PHOTOGRAPHY
Mark Thomas Furniture working in the studio with new oak table in the Hastings photo studio
OPUS Bespoke
Discover the art of corporate storytelling with OPUS Bespoke. Dive into our collaboration and learn how we create bespoke corporate histories that capture the essence of your business legacy. Explore our unique process and the importance of preserving your company's journey for future generations. Visit us to start crafting your corporate legacy today.
STARWOOD CAPITAL SHOOT
New corporate photo shots for Starwood Capital Group
PLAYNE DESIGN FORWARD-FACING MEDIA
Capturing the Essence of Playne Design's Creativity I recently had the pleasure of working with Playne Design, providing stills photography for their website's forward-facing media.
DEREK JARMAN LUCY BELL GALLERY
Sandy Powell visits the Lucy Bell Gallery for the exhibition of nseen Photographs and film of Derek Jarman and Prospect Cottage by Derek Brown, Richard Heslop, Mark French, Steve Pyke MBE, Ed Sykes, Andrew Catlin, Liam Daniel, Jan Baldwin, Debi Angel and soundscape by Simon Fisher-Turner